“ The most memorable violence in The Big Heat is the flinging of scalding hot coffee in Gloria Grahame’s face by Lee Marvin, and later (in a vendetta worthy of Kriemhild), in his face by her. Lang’s explosive Mise-en-scène implies that the world must be destroyed before it can be purified.”
— Film historian Andrew Sarris in “You Ain’t Heard Nothin’ Yet.”: The American Talking Film History & Memory, 1927-1949.
The invited public arrived at the gallery to find the doors locked. Through the glass front of the gallery they saw Beuys sitting in a chair with his face covered in honey and gold leaf, cradling a dead hare in his arms. Slowly he got up and wandered around the exhibition, as if explaining each work to the hare.
Actors Natalie Wood and Robert Wagner onboard their yacht off the California coast. July 1958. 35mm Kodachrome from photos by Robert Vose for the Look magazine assignment "Natalie Wood. Beauty and Violence." (Shorpy)